november 24th, 2010 - september 20, 2014

When you’re young, you think everything you do is disposable. You move from now to now, crumpling time up in your hands, tossing it away. You’re your own speeding car. You think you can get rid of things, and people too—leave them behind. You don’t yet know about the habit they have, of coming back.


Time in dreams is frozen. You can never get away from where you’ve been.

Margaret Atwood, The Blind Assassin    (via lionfaux)

lampfaced:

stunningpicture:

Turns out that dragons are real and they come from South Africa (Latin name ‘Smaug gigantaeus’)

giant girdled lizard! the scientific name is actually Cordylus giganteus, but enough people call it Smaug giganteus that it’s mentioned as a synonym name on sites.

motiya:

See how chill and non competitive your life gets when you don’t judge other girls in how they dress, do their make up, or how many selfies they take. Take a nap by a window, glow up

6ium:

#CCFFEB #E7FECD #FFFDCC

lauramcquarrie:

transparent ghost sticky notes help you make notes without defacing a book

lullabelleno:

heroes-get-made:

“This isn’t your typical love story…” opens the trailer for a movie about a white, heterosexual, cisgender, able-bodied, middle class, and likely loosely Christian couple who find each other through serendipity and a very small amount of actual work.

#ahah my friend i think you’re confused #you see one of them doesn’t BELIEVE in love (via fourofthem)

boar-q-pine:

From God’s Perspective - Bo Burnham [x]

madeupmonkeyshit:

MY TYPE OF FUCKING PARTY

TURNT THE FUCK UP

holydorksbatmandraws:

This is my first time making an animated gif/pixel art ever hope ya like it.

Similar to the idea of Where’s Waldo, a Tumblr page called Subtle Dildo is posting random, ordinary pictures with a special hidden object. Can you find the dildo?

did-you-kno:

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Source

prettydeadstuff:

Dog skulls

likeafieldmouse:

Gustave Caillebotte - The Floor Scrapers (1875-6)

Original on top, later version below

"Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The depiction of working-class people in their trade, not fully clothed, shocked the jurors and was deemed a ‘vulgar subject matter.’ 

The images of the floor scrapers came to be associated with Degas’s paintings of washerwomen, also presented at the same exhibition and similarly scorned as ‘vulgar’”.



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